Hirsh, Sharon. Hodler’s Symbolist Themes. Ann Arbor, MI: UMI Research Press, 1983
Ferdinand Hodler
Died: Geneva, 19 May 1918
Nationality: Swiss
peasant family; carpenter father, mother and two brothers died of tuberculosis by 1867
with Ferdinand Sommer; Collège de Genève; with Barthélemy Menn at Ecole des Beaux-Arts in Geneva
1886 – submits Surprised by the Storm (Oskar Reinhart Foundation, Winterthur) to the Concours Diday in Geneva
1892 – exhibits Night at the Salon Rose + Croix (Paris)
1896 – receives commission for 26 male figures for Schweizerische Landesausstellung (Swiss Regional Exhibition) in Geneva
1897 – commissioned to paint fresco for Weapons Room of the Schweizerisches Landesmuseum, (completed in 1900)
1907 – executes mural Departure of the Jena Students for the Napoleonic Wars (1813) for Jena University (in situ)
1909 – designs banknotes for the Swiss National Bank
1911 – commission to decorate Assembly Rooms of Hannover city hall
1914 – signs protest against bombardment of Reims Cathedral
Travels
Madrid (1878-79)
Self-Portrait: the Student, 1874 (Kunsthaus, Zurich)
Prayer, 1882 (private collection)
Tired of Living, 1892 (Neue Pinokothek, Munich)
Autumn Evening, 1892-93 (Musee d'Art et d'Histoire, Neuchatel)
The Chosen One, 1893-94 (Kunstmuseum, Bern)
William Tell, 1896-97 (Kunstmuseum, Solothurn)
Day, c. 1900 (Kunstmuseum, Luzern)
Spring, 1901 (Museum Folkwang, Essen)
The Woodcutter, 1910 (Musée d'Orsay, Paris)