Readings

Adams, Henry. “A New Interpretation of Bingham’s Fur Traders Descending the Missouri,” The Art Bulletin, vol. 65, no. 4 (December 1983): 675-80

Aldrich, Megan. Gothic Revival. London: Phaidon, 1994

Allard, Sébastien. ‘Dante et Virgile’ aux Enfers d’Eugène Delacroix. Paris Réunion des musées nationaux, 2004 (in French)

Anderson, Nancy K. Albert Bierstadt: Art and Enterprise. Exhibition catalogue. New York: The Brooklyn Museum, 1990

Andreev, A. “Ivan Kramskoy as a Theoretician of the Democratic Trend in Russian Art,” Vestnik Akademii Nauk, SSSR, vol. 12 (1987): 85-97

Andrews, Malcolm. The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain. Stanford, CA: Stanford University Press, 1989

Arbiter, Petronius. “A Great Ethical Work of Art: The Romans of the Decadence by Couture,” The Art World, vol. 2, no. 6 (September 1917): 531-5

Armstrong, Carol. Odd Man Out: Readings of the Work and Reputation of Edgar Degas. Chicago, IL and London: University of Chicago Press, 1991

Arscott, Caroline. “William Powell Frith’s The Railway Station: Classification and the Crowd,” in Mark Bills and Vivien Knight, eds., William Powell Frith: Painting the Victorian Age. New Haven, CT: Yale University Press, 2006, pp. 79-94

Athanassoglou-Kallmyer, Nina. “Cézanne and Delacroix’s Posthumous Reputation,” The Art Bulletin, vol. 87, no. 1 (March 2005): 111-29

Athanassoglou-Kallmyer, Nina.Théodore Géricault. London: Phaidon, 2010 

Baldwin, Gordon. All the Mighty World: the Photographs of Roger Fenton, 1852-1860. Exhibition catalogue. New Haven, CT: Yale University Press, 2004

Barger, M.S. and W.B. White. The Daguerreotype: Nineteenth-Century Technology and Modern Science. Washington, DC: Smithsonian Institution Press, 1991

Barlow, Paul. Time Present and Time Past: the Art of John Everett Millais. Aldershot and Burlington, VT: Ashgate, 2005

Barrett, Brian Dudley. Artists on the Edge. The Rise of Coastal Artists' Colonies, 1880-1920. Amsterdam: Amsterdam University Press, 2011

Barringer, Tim. The Pre-Raphaelites. London: Weidenfeld Nicolson, 1998

Bashkirtseff, Marie. The Journal of Marie Baskirtseff, Mathilde Blind, trans. London: Virago, 1985. Introduction by Rozsika Parker and Griselda Pollock

Bataille, Georges. Manet. Austryn Wainhouse and James Emmons, trans. New York: Skira,
1955

Baudelaire, Charles. The Painter of Modern Life and Other Essays, Jonathan Mayne, ed. and trans. London: Phaidon, 1964

Bazille, Frédéric. Frédéric Bazille and Early Impressionism. Exhibition catalogue. Chicago, IL: Art Institute of Chicago, 1978

Bendiner, Kenneth. The Art of Ford Madox Brown. University Park, PA: Pennsylvania State University Press, 1998

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, Harry Zohn, trans. London: NLB, 1973

Bergman-Carton, Janis. “The Gendering of Impressionism” in Norma Broude and Mary D. Garrard, eds. Reclaiming Female Agency: Feminist Art History after Postmodernism. Berkeley, CA: University of California Press, 2005, pp. 203-15

Berman, Patricia G. James Ensor: Christ’s Entry into Brussels in 1889. Los Angeles: J. Paul Getty Museum, 2002

Betzer, Sarah. Ingres and the Studio: Women, Painting, History. University Park, PA: Pennsylvania State University Press, 2012

Bhreathnach-Lynch, Sighle. Ireland’s art, Ireland’s History: Representing Ireland, 1845 to present. Omaha, NE: Creighton University Press, 2007

Bills, Mark. William Powell Frith: Painting the Victorian Age. New Haven, CT and London: Yale University Press, 2006

Bindman, David. John Flaxman. London: Thames and Hudson, 1979

Birkett, M. “Lamartine and the Poetic Painting of Léopold Robert,” Symposium, vol. 33, no. 4 (1979): 299-311

Bisanz, Rudolf M. German Romanticism and Philipp Otto Runge: a Study in Nineteenth-Century Art Theory and Iconography. DeKalb, IL: Northern Illinois University Press, 1970

Bishop, Peter. An Archetypal Constable: National Identity and the Geography of Nostalgia. Madison, WI: Fairleigh Dickenson University Press, 1995

Bizanz, Rudolf. “Proto-modernist Aesthetic and Art-Criticism Amended – Behaviorist Doctrinaire-Realism to Extentiallist Process – Art and Wilhelm Leibl: Three Women in Church,” Art Criticism, vol. 8 no. 1 (1993): 97-108

Blakesley, Rosalind P. Pride and the Politics of Nationality in Russia's Imperial Academy of Fine Arts, 1757-1807. Hoboken, NJ: Wiley, 2010

Böcklin, Arnold. Arnold Böcklin, 1827-1901. Paris: Réunion des musées nationaux, 2001 (in French)

Boetzkes, Manfred. Max Klinger: Wege zum Gesamtkunstwerk. Mainz: von Zabern, 1984 (in German)

Boime, Albert. The Art of the Macchia and the Risorgimento. Chicago, IL and London: University of Chicago Press, 1993

Boime, Albert. Art in the Age of Revolution, 1750-1800. Chicago and London: University  of Chicago Press, 1987

Boime, Albert. “Gauguin’s D’où venons-nous? Que sommes-nous? Où allons-nous? Millenarianism and Necromancy in Fin-de-Siècle France, “ Revelation of Modernism. Responses to Cultural Crises in Fin-de-Siècle Painting. Columbia, MO and London: University of Missouri Press, 2008, pp. 135-220

Boime, Albert. Thomas Couture and the Eclectic Vision. New Haven, CT and London: Yale University Press, 1980

Boime, Albert. “The Case of Rosa Bonheur – Why Should a Woman Want to be More Like a Man?,” Art History, vol. 4, no. 4 (1981): 384-409

Boime, Albert. The Art of Exclusion. Representing Blacks in the Nineteenth Century. Washington, DC: Smithsonian Institution Press, 1990

Boime, Albert. Art in an Age of Counterrevolution, 1815-1848. Chicago, IL: University of Chicago Press, 2004

Boime, Albert. “Alfred Rethel’s Counterrevolutionary Death Dance,” Art Bulletin, vol. 73, no. 4 (December 1991): 577-98

Boime, Albert. "Van Gogh's Starry Night. After the Apocalypse a Heavenly Utopia," in Revelation of Modernism. Responses to Cultural Crises in Fin-de-siecle Painting. Columbia, MO: University of Missouri Press, 2008

Boudin, Eugène. Boudin: Impressionist Marine Paintings. Salem, MA : Peabody Museum, 1991

Bowron, Edgar Peters. Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome. New Haven, CT: Yale University Press, 2007

Boyle-Turner, Caroline. Paul Sérusier. Ann Arbor, MI: UMI Research Press, 1983

Bretell, Richard R. Impressionism: Painting Quickly in France, 1860-1890. Exhibition catalogue. New Haven, CT: Yale University Press, 2000

Britsch, F. “Destruction and Creativity – Eugène Delacroix’s Massaker von Chios,” Pantheon, vol. 55 (1997): 136-50 (In German)

Broude, Norma. “Degas’s Misogyny,” The Art Bulletin, vol. 59, no. 1 (March 1977): 95-107

Broude, Norma. Impressionism: A Feminist Reading: the Gendering of Art, Science, and Nature in the Nineteenth Century. New York: Rizzoli, 1991

Brown, Roy Howard. “The Formation of Delacroix’s Hero between 1822 and 1831,” The Art Bulletin, vol. 66, no. 2 (June 1984): 237-54

Bryant, J.  ed. Thomas Banks:  Britain’s First Modern Sculptor. Exhibition catalogue, Soane Museum, London, 2004

Bryson, Norman. Tradition and Desire: From David to Delacroix. Cambridge and New York: Cambridge University Press, 1984

Budapest, 1869-1914: modernité hongroise et peinture européenne. Exhibition catalogue. Paris: A Biro, 1995

Buick, Kirsten P. Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject. Durham, NC: Duke University Press, 2010

Bukdahl, Else Marie. The Roots of Neoclassicism: Wiedewelt,Thorvaldsen and Danish Sculpture of Our Time. Copenhagen: Royal Danish Academy of Fine Arts, 2004

Burns, Sarah. "A Symbolist Soulscape:  Fernand Khnopff's I Lock My Door upon Myself," Arts Magazine, vol. 55 (January 1981): 80-9

Butler, Ruth. Rodin: the Shape of Genius. New Haven, CT: Yale University Press, 1993

Callen, Anthea. The Spectacular Body: Science, Meaning, and Method in the Work of Degas. New Haven, CT: Yale University Press, 1995

Callen, Anthea. “The Unvarnished Truth: Mattness, ‘Primitivism’ and Modernity in French Painting, c. 1870-1907,” The Burlington Magazine, vol. 136, no. 1100 (November 1994): 738-46

Carbone, Teresa A. Eastman Johnson: Painting America. Exhibition catalogue. New York: The Brooklyn Museum, 1999

Cassatt, Mary. Mary Cassatt, Modern Woman. Exhibition catalogue. New York: H.N. Abrams, 1998

Castandet, C. “A French Masterpiece: Dante and Virgil in Hell : Delacroix’s First Painting Exhibited at the Paris Salon of 1822,” Conaissance des Arts, vol. 616 (May 2004): 104-7

Cézanne, Paul. Letters, John Rewald, ed. New York: Hacker Art Books, 1984

Chan, V. “Natural Genius, Inspired Madness, and Romantic Protest – Franz Xaver Messerschmidt’s Many Grimacing Faces,“ Arts Magazine, vol. 61, no. 2 (October 1986): 84-93

Chassé, Charles. The Nabis and Their Period, Michael Bullock, trans. London: Lund Humphries, 1969

Cherry, Deborah. Painting Women: Victorian Women Artists. London: Routledge, 1993

Chu, Petra ten-Doesschate. The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media Culture. Princeton, NJ: Princeton University Press, 2007

Clark, T.J. “Olympia’s Choice,” The Painting of Modern Life. Paris in the Art of Manet and His Followers. New York: Alfred A. Knopf, 1985, pp. 79-146

Clark, T.J. “Painting in the Year 2,” Farewell to an Idea. Episodes from a History of Modernism. New Haven and London: Yale University Press, 1999, 15-53

Clark, T.J. The Absolute Bourgeois: Artists and Politics in France, 1848-1851.  Princeton, NJ: Princeton University Press, 1982

Clarke, Michael. Corot and the Art of Landscape. New York: Cross River Press, 1991

Clayson, Hollis. Painted Love: Prostitution in French Art of the Impressionist Era. New Haven, CT and London: Yale University Press, 1991

Clegg, Elizabeth. "Faux terrain: Discontinuous Space in the Early Work of Work Jack Malczewski," Zeitschrift für Kunstgeschichte, vol. 53, n. 2 (1990), pp. 198-208

Colbert, Charles. “Spiritual Currents and Manifest Destiny in the Art of Hiram Powers,” The Art Bulletin, vol. 82, no. 3 (September 2000): 529-43

Cole, Thomas. The Course of Empire, Voyage of Life, and Other Pictures of Thomas Cole, N.A., with Selections from His Letters and Miscellaneous Writings” Illustrative of his Life, Character, and Genius. New York: Cornish, Lamport, 1853

Conisbee. Philip. French Genre Painting in the Eighteenth Century. Washington, DC: National Gallery of Art, 2007

Connelly, Frances S. The Sleep of Reason: Primitivism in Modern European Art and Aesthetics, 1725-1907. University Park, PA: Pennsylvania State University Press, 1995

Cooke, Peter. “Gustave Moreau and the Reinvention of History Painting,” Art Bulletin, vol. 90, no. 3 (September 2008): 394-416

Cordier, Charles. Charles Cordier 1827-1905. Exhibition catalogue. New York: Dahesh Museum of Art, 2004

Costello, Leo and J. M. W. Turner. J.M.W. Turner and the Subject of History. Farnham, UK: Ashgate, 2012

Crapo, Paul B. “The Problematics of Artistic Patronage under the Second Empire: Gustave Courbet’s Involved Relations with the Regime of Napoleon III,” Zeithschrift für Kunstgeschichte, vol. 58, no. 2 (1995): 240-61

Craske, Matthew. Art in Europe, 1700-1830. New York: Oxford University Press, 1997

Crow, Thomas. Emulation: David, Drouais, and Girodet in the Art of Revolutionary France. New Haven, CT: Yale University Press, 1995

Curtiss, Mina. “Manet Caricatures: Olympia,” The Massachusetts Review, vol. 7, no. 4 (Autumn 1966): 725-52

Davis, John. “Eastman Johnson’s Negro Life at the South and Urban Slavery in Washington, DC,” The Art Bulletin, vol. 80, no. 1 (March 1998): 67-92

De Caso, Jacques. David d’Angers: Sculptural Communication in the Age of Romanticism. Princeton, NJ: Princeton University Press, 1992

Delacroix, Eugène. Selected Letters, 1813-1863. Boston, MA : MFA Publications, 2001

Denis, Maurice. Maurice Denis, 1870-1943. Exhibition catalogue. Ghent: Snoeck-Ducaju and Zoon, 1994

Deshmukh, Marion F. Max Liebermann. Modern Art and Modern Germany. Farnham-Burlington: Ashgate, 2015

Diderot, Denis. Diderot on Art. New Haven: Yale University Press, 1995

Djebar, A. Women of Algiers in Their Apartment. Charlottesville, NC: University of North Carolina Press, 1992

Dorbani-Bouabdellah, Malika. Eugène Delacroix: Femmes d’Alger dans leur appartement. Paris: Musée du Lourvre editions, 2008 (In French)

Dorra, Henri. Symbolist Art Theories: A Critical Anthology. Berkeley, CA: University of California Press, 1994

Doyle, Jennifer. “Sex, Scandal, and Thomas Eakins’s The Gross Clinic,” Representations, no. 68 (Autumn 1999): 1-33

Druick, Douglas W. Renoir. Exhibition catalogue. Art Institute of Chicago, 1997

Dunne, Tom. James Barry, 1741-1806: History Painter. Farnham and Burlington, VT: Ashgate, 2010

Duro, Paul. 'Great and Noble Ideas of the Moral Kind': Wright of Derby and the Scientific Sublime (Wiley, 2010)

Edgerton, Judy. Wright of Derby. Exhibition catalogue. London: Tate, 1990

Edgerton, Samuel Y. Jr. “The Murder of Jane McCrea : The Tragedy of an American ‘Tableau d’Histoire,’” The Art Bulletin, vol. 47 (December 1965): 481-9

Eisenman, Stephen F. Gauguin’s Skirt. New York: Thames and Hudson, 1997

Eitner, Lorenz.  Géricault: His Life and Work. Ithaca, NY: Cornell University Press, 1983

Eitner, Lorenz.  “Géricault's Wounded Cuirassier,” The Burlington Magazine, vol. 96, no. 617 (August 1954): 236-41

Elsen, Albert. Rodin’s Gates of Hell. Minneapolis, MN: University of Minnesota Press, 1960

Emerson, Peter Henry. Naturalistic Photography for Students of the Art (1889). New York: Arno Press, 1974

Estignard, Alexander. Clésinger: Sa Vie, Ses Œuvres (1900). Whitefish, MT : Kessinger, 2010 (in French)

Facos, Michelle. Symbolist Art in Context. Berkeley, CA: University of California Press, 2008

Facos, Michelle. “New Documents Concerning a Meunier Sculpture in Stockholm,” Konsthistorisk tidskrift, vol. LXV, no. 1: 27-32

Farwell, Beatrice. Manet and the Nude: a Study of Iconography in the Second Empire. New York: Garland, 1981

Faunce Sarah and Linda Nochlin, eds. Courbet Reconsidered. Exhibition catalogue. New Haven, CT: Yale University Press, 1988

Fleischhauer, Werner. Philipp Friedrich Hetsch. Stuttgart: Matthaes, 1929 (in German)

Fletcher, Pamela M., and Anne Helmreich, The Rise of the Modern Art Market in London, 1850-1939. Manchester, UK: Manchester University Press, 2011

Forgione, Nancy. “Everyday Life in Motion: The Art of Walking in Late-Nineteenth-Century Paris,” The Art Bulletin, vol. 87, no. 4 (December 2005): 664-87

Foster, Kathleen A. and Cheryl Leibold, eds., Writing About Eakins: The Manuscripts in Charles Bregler’s Thomas Eakins Collection. Philadelphia, PA: University of Pennsylvania  Press, 1989

Frank, Mitchell Benjamin. German Romantic Painting Redefined: Nazarene Tradition and the Narratives of Romanticism. Aldershot and Burlington, VT: Ashgate, 2001

Frankl, Ludwig August. Friedrich von Amerling: ein Lebensbild (1889). Whitefish, MT: Kessinger, 2010 (in German)

Frèches-Thory, Claire and Ursula Perucchi-Petri, eds. Die Nabis, Propheten der Moderne. Munich: Prestel, 1993 (in German)

Fried, Michael. Absorption and Theatricality. Painting and Beholder in the Age of Diderot. Berkeley: University of California Press, 1980

Fried, Michael. “The Structure of Beholding in Courbet’s Burial at Ornans,” Critical Inquiry, vol. 9, no. 4 (June 1983): 635-83

Fried, Michael. Realism, Writing, and Disfiguration in Thomas Eakins’s Gross Clinic, with a  Postscript on Stephen Crane’s Upturned Faces, Representations, no. 9 (Winter 1985): 33-104, Representations, no. 9 (Winter 1985): 33-104

Frodl-Schneemann, Marianne. Johann Peter Krafft, 1780-1856. Munich: Herold, 1984 (in German)

Galassi, Susan Grace. Whistler, Women, and Fashion. Exhibition catalogue. New Haven, CT: Yale University Press, 2003

Galt, John. The Life of Benjamin West (1816). Gainesville, FL: Scholars’ Facsimilies &  Reprints, 1960

Garb, Tamar. “Visuality and Sexuality in Cézanne’s Late Bathers,” Oxford Art Journal, vol. 19, no. 2 (1996): 46-60

Garb, Tamar. Women Impressionists. Oxford: Phaidon, 1986

Gauguin, Paul. Paul Gauguin: the Search for Paradise: Letters from Brittany and the South Seas. London: Collins and Brown, 1992

Gay, Peter. The Enlightenment: The Science of Freedom. New York: W.W. Norton, 1996

Gerdts, William H. American Impressionism. New York: Abbeville Press, 2001

Gernsheim, Helmut. The Rise of Photography: 1850-1880, the Age of Collodion. London and New York: Thames and Hudson, 1988

Gernsheim, Helmut. L.J.M. Daguerre (1787-1851), the World’s First Photographer. Cleveland, OH: World Publishing, 1956

Glessner, R.W. “The Passing of Jean Léon Gérôme,” Brush and Pencil, vol. 14, no. 1 (April 1904): 54-76

Gogh, Vincent van. The Letters of Vincent van Gogh. London and New York: Penguin Press, 1996

Golia, Maria. Photography and Egypt. London: Reaktion, 2010

Gordon, Scott Paul. “Reading Patriot Art: James Barry's King Lear,” Eighteenth-Century Studies, vol. 36, no. 4 (Summer 2003): 491-509

Green, Nicholas. The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France. Manchester: Manchester University Press, 1993

Greenhalgh, Paul. Ephemeral Vistas: The Expositions Universelles, Great Exnibitions and World’s Fairs, 1851-1939. New York: St. Martin’s Press, 1988

Grewe, Cordula. Painting the Sacred in the Age of Romanticism. Farnham and Burlington, VT: Ashgate, 2009

Grigsby, Darcy Grimaldo. “Plague. Egypt-Syria. Gros’s Bonaparte visiting the Plague Victims of Jaffa, 1804,” Extremities. Painting Empire in Post-Revolutionary France. New Haven, CT and London: Yale University Press, 2002, pp. 65-103

Grigsby, Darcy Grimaldo. “Black Revolution. Saint-Domingue. Girodet’s Portrait of Citizen Belley, Ex-Representative of the Colonies, 1797,” in Extremities. Painting Empire in Post-Revolutionary France. New Haven, CT and London: Yale University Press, 2002, pp. 9-63

Grigsby, Darcy Grimaldo. “Blood-Mixing. Ottoman Greece. Delacroix’s Massacres of Chios, 1824,” in Extremities. Painting Empire in Post-Revolutionary France. New Haven, CT and London: Yale University Press, 2002, 237-317

Grundy, John B.C. Tieck and Runge, a Study in the Relationship of Literature and Art in the Romantic Period. Strasburg: J.H.E. Heintz, 1930

Guilbaut, Serge et al., eds. Théodore Géricault, the Alien Body: Tradition in Chaos. Vancouver: University of British Columbia, 1997

Hackforth-Jones, Jocelyn and Mary Roberts, eds. Edges of Empire: Orientalism and Visual Culture. Malden, MA: Blackwell, 2005

Hambourg, Maria Morris. Nadar. Exhibition catalogue. New York: Metropolitan Museum of Art, 1995

Hamilton, James. Fields of Influence: Conjunctions of Artists and Scientists, 1815-1860. Birmingham: University of Birmingham Press, 2001

Hand, Marla H. “Carloz Schwabe's Poster for the Salon de la Rose+Croix: A Herald of the Ideal in Art,” Art Journal, vol. 44, no. 1 (Spring, 1984):40-5

Hannavy, John. Encyclopedia of Nineteenth-Century Photography. New York: Taylor and Francis Group, 2008

Harrison, Charles. Painting the Difference: Sex and Spectator in Modern Art. Chicago, IL: University of Chicago Press, 2006

Härtl-Kasulke, Claudia. Karl Theodor Piloty (1826-1886): Karl Theodor Pilotys Weg zur Historienmalerei, 1826-1855. Munich: UNI-Druck, 1991 (in German)

Haskell, Francis and Nicolas Penny. Taste and the Antique: the Lure of Classical Sculpture, 1500-1900. New Haven, CT: Yale University Press, 1981

Hedley, Jo. François Boucher: Seductive Visions. Seattle, WA: University of Washington Press, 2007

Heimann, Nora M. Joan of Arc in French Art and Culture (1700-1855): from Satire to Sanctity. Aldershot and Burlington, VT: Ashgate, 2005

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Heller, Reinhold. The Scream. New York: Viking Press, 1973

Hemingway, Andrew. Landscape and Urban Culture in Early Nineteenth-Century Britain. Cambridge and New York: Cambridge University Press, 1992

Herban, Mathew. “The Origin of Paul Gauguin’s Vision after the Sermon: Jacob Wrestling with the Angel (1888),” The Art Bulletin, vol. 59, no. 2 (September 1977): 415-20

Herbert, Robert. Impressionism: Art, Leisure, and Parisian Society. New Haven, CT: Yale University Press, 1988

Herbert, Robert. David, Voltaire, Brutus and the French Revolution: An Essay in Art and Politics. New York: Viking Press, 1972

Herbert, Robert L. “City vs. Country: The Rural Image in French Painting from Millet to Gauguin,” Artforum, vol. 8 (February 1978): 44-55

Herbert, Robert L. “Millet Reconsidered,” Art Institute of Chicago Museum Studies, vol. 1 (1966): 28-65

Hetmann, Frederik. Worpswede: die Geschichte einer deutschen Künstlerkolonie. Munich: C. Bertelsmann, 1987 (in German)

Himmelheber, Georg. Biedermeier, 1815-1835: Architecture, Painting, Sculpture, Decorative Arts, Fashion. Munich and New York: Prestel, 1989

Hirsh, Sharon. Hodler’s Symbolist Themes. Ann Arbor, MI: UMI Research Press, 1983

Hobsbawm, Eric. The Age of Revolution: 1789-1848. New York: Vintage Books

Hodler, Ferdinand. Ferdinand Hodler: a Symbolist Vision. Ostfildern: Hatje Cantz, 2008

Hofmann, Werner. Caspar David Friedrich. New York: Thames and Hudson, 2000

Holst, Christian von. Joseph Anton Koch, 1768-1839, Ansichten der Natur. Stuttgart: Edition Cantz, 1989 (in German)

Honisch, Dieter. Anton Raphael Mengs und die Bildform des Frühklassizismus. Recklinghausen: A. Bongers, 1965 (in German)

House, John. Impressionism: Paint and Politics. New Haven, CT: Yale University Press, 2004

Howe, Jeffery W. The Symbolist Art of Fernand Khnopff. Ann Arbor, MI: UMI Research Press, 1982

Hungerford, Constance Cain. Ernst Meissonier: Master in his Genre. Cambridge and New York: Cambridge University Press, 1999

Hungerford, Constance Cain. “Meissonier's Souvenir de guerre civile” The Art Bulletin, vol. 61, no. 2 (June 1979):  277-88

Hunt, Lynn. Politics, Culture, and Class in the French Revolution. Berkeley: University of California Press, 1984

Husslein-Arco, Agnes and Alexander Klee. Makart, Painter of the Senses. Exhibition catalogue. Munich: Prestel, 2011

Hyman, Linda. “The Greek Slave by Hiram Powers: High Art as Popular Culture,” Art Journal, vol. 35, no. 3 (Spring 1976): 216-23

Irwin, David. English Neoclassical Art: Studies in Inspiration and Taste. New York: New York Graphic Society, 1966

Isaacson, Joel. “Constable, Duranty, Mallarmé, Plein Air, and Forgetting,” The Art Bulletin, vol. 76, no. 3 (September 1994): 427-50

Iskin, Ruth. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge and New York: Cambridge University Press, 2007

Ives, Colta. “Prints in the Era of Impressionism and Symbolism,” The Metropolitan Museum of Art Bulletin, vol. 46, no. 1 (Summer 1988): 8-56

Jackson, David L. The Wanderers and Critical Realism in Nineteenth-Century Russian Painting. Manchester and New York: Manchester University Press, 2006

Jacobi, Carol. William Holman Hunt: Painter, Painting, Paint. Manchester: Manchester University Press, 2007

Janson, H.W. 19th-Century Sculpture. New York: Harry N. Abrams, 1985

Johns, Elizabeth. Thomas Eakins: The Heroism of Modern Life. Princeton, NJ: Princeton University Press, 1983

Johnson, Dorothy. Jacques-Louis David:  Art in Metamorphosis. Princeton, NJ: Princeton University Press, 1993

Johnson, Ronald W. “Dante Rossetti’s Beata Beatrix and the New Life,” The Art Bulletin, vol. 7, no. 4 (December 1975): 548-58

Joyce, Wendy. “Sculpting the Modern Muse: Auguste Clésinger’s Femme Piquée par un Serpent,” Nineteenth-Century French Studies, vol. 35, no. 1 (Fall 2006): 166-88

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Kennedy, Ian and Julian Treuherz. The Railway. Art in the Age of Steam. Exhibition catalogue. New Haven, CT and London: Yale Universtiy Press, 2008

Ketner, Joseph D. The Emergence of the African-American Artist: Robert S. Duncanson, 1821-1972. Columbia, MO: University of Missouri Press, 1993

Kindleberger, Elizabeth R. “Charlotte Corday in Text and Image: A Case Study in the French Revolution and Women’s History,” French Historical Studies, vol. 18, no. 4 (Autumn 1994): 969-99

Klumpke, Anna. Rosa Bonheur: the Artists (Auto)biography. Ann Arbor, MI: University of Michigan Press, 1997

Kosinski, Dorothy M. Orpheus in Nineteenth-Century Symbolism. Ann Arbor, MI: UMI Research Press, 1989

Kriz, Kay Dian. The Idea of the English Landscape Painter. New Haven, CT and London: Yale University Press, 1997

Kromm, J.E. “Goya and the Asylum at Sargossa,” Society for the Social History of Medicine Bulletin (1988): 79-89

Lacambre, Geneviève. Gustave Moreau: Between Epic and Dream. Exhibition catalogue. Princeton, NJ: Princeton University Press, 1999

Landes, Lilian. Carl Wilhelm Hübner (1814-1879): Genre und Zeitgeschichte im deutschen Vormärz. Munich: Deutscher Kunstverlag, 2008 (in German)

Laughton, Bruce. Honoré Daumier. New Haven, CT: Yale University Press, 1996

Lee, Anthony W. and Elizabeth Young. On Alexander Gardner’s Photographic Sketch Book of the Civil War. Berkeley, CA: University of California Press, 2008

Leeuw, Ronald de. The Hague School: Dutch Masters of the 19th Century. Exhibition catalogue. London: Weidenfeld and Nicolson, 1983

Lenz, Christian. Tischbein, Goethe in der Campagna di Roma. Exhibition catalogue. Städelsches Kunstinstitut, 1979 (in German)

Levine, Steven Z. Monet, Narcissus, and Self-Reflection: the Modernist Myth of the Self. Chicago, IL: University of Chicago Press, 1994

Levitine, George. “Some Emblematic Sources of Goya,” Journal of the Warburg and  Courtauld Institutes, vol. 22 (1959): 106-31

Levitov, Karen. Camille Pissarro: Impressions of City and Country. Exhibition catalogue. New Haven, CT: Yale University Press, 2007

Lewis, Reina. Gendering Orientalism: Race, Femininity, and Representation. London: Routledge, 1996

Licht, Fred. Goya. New York: Abbeville, 2001

Liebermann, Max. Max Liebermann: from Realism to Impressionism. Exhibition catalogue. Los Angeles, CA: Skirball Cultural Center, 2005

Liebermann, Max, Marion Fishel Deshmukh, Françoise Forster-Hahn, and Barbara Gaehtgens. Max Liebermann and International Modernism: An Artist's Career from Empire to Third Reich. New York: Berghahn Books, 2011

Littlejohns, Richard. “Philipp Otto Runge’s Tageszeiten and Their Relationship to Romantic Nature Philosophy, Studies in Romanticism, vol. 42, no. 1 (Spring 2003): 55-74

Lövgren, Sven. The Genesis of Modernism: Seurat, Gauguin, Van Gogh, and French Symbolism in the 1880s. Bloomington, IN: Indiana University Press, 1971

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