son of currier (leather-preparator)
largely self-taught; with painter Hamlet Winstanley (1741); studied anatomy at York Hospital (1745); independently studied equine (horse) anatomy (1756-57)
1751 – teaches self engraving for commission to illustrate John Burton’s Essay towards a Complete New System of Midwifery
1761 – begins exhibiting regularly with Society of Artists (London)
1766 – publishes The Anatomy of the Horse
1772-3 – elected president of Society of Artists
1775 – begins exhibiting at Royal Academy
1781 – election to RA membership fails because Stubbs does not submit a diploma picture
1803 – stops exhibiting at RA
Rome (1754)
Prince of Wales (George IV)
Whistlejacket, c. 1760 (The National Gallery, London)
The Duke of Dorset’s Hunter with a Groom and a Dog, 1786 (Metropolitan Museum of Art, New York)
Edgerton, Judy. George Stubbs, Painter: Catalogue Raisonné. New Haven, CT and London: Yale University Press, 2007
Potts, Alex. “Natural Order and the Call of the Wild: The Politics of Animal Picturing,” Oxford Art Journal, vol. 13, no. 1 (1990): 12-33
Taylor, Basil. “George Stubbs: ‘The Lion and Horse’ Theme,” The Burlington Magazine, vol. 107, no. 743 (February 1965): 81-7
Warner, Malcolm. Stubbs and the Horse. Exhibition catalogue. New Haven, CT: Yale University Press, 2004