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Readings

Ackerman, Gerald M. Jean-Léon Gérôme: his Life, his Work, 1824-1904. Courbevoie: ACR, 1997

Adams, Henry. “A New Interpretation of Bingham’s Fur Traders Descending the Missouri,” The Art Bulletin, vol. 65, no. 4 (December 1983): 675-80

Adler, Kathleen and Tamar Garb. Berthe Morisot. Ithaca, NY and Oxford: Oxford University Press, 1987

Aldrich, Megan. Gothic Revival. London: Phaidon, 1994

Alhadeff, Albert. The Raft of the Medusa: Gericault, Art, and Race. Munich and New York: Prestel, 2002

Allard, Sébastien. ‘Dante et Virgile’ aux Enfers d’Eugène Delacroix. Paris Réunion des musées nationaux, 2004 (in French)

Anderson, Wayne V.Cézanne and the Eternal Feminine. Cambridge and New York: Cambridge University Press, 2004

Anderson, Nancy K. Albert Bierstadt: Art and Enterprise. Exhibition catalogue. New York: The Brooklyn Museum, 1990

Anderson, Matthew Smith. The Great Powers and the Near East 1774-1923. London:  Edward Arnold, 1970

Andreev, A. “Ivan Kramskoy as a Theoretician of the Democratic Trend in Russian Art,” Vestnik Akademii Nauk, SSSR, vol. 12 (1987): 85-97

Andrews, Keith. The Nazarenes: A Brotherhood of German Painters in Rome. Oxford: Clarendon Press, 1964

Andrews, Malcolm. The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain. Stanford, CA: Stanford University Press, 1989

Antal, Friedrich. “Reflections on Classicism and Romanticism,” The Burlington Magazine for Conoisseurs, vol. 66, no. 385 (April 1935): 159-68

Arbiter, Petronius. “A Great Ethical Work of Art: The Romans of the Decadence by Couture,” The Art World, vol. 2, no. 6 (September 1917): 531-5

Armstrong, Carol. Manet Manette. New Haven, CT: Yale University Press, 2002

Armstrong, Carol. Odd Man Out: Readings of the Work and Reputation of Edgar Degas. Chicago, IL and London: University of Chicago Press, 1991

Arnold, H.J.P. William Henry Fox Talbot: Pioneer of Photography and Man of Science. London: Century Benham, 1977

Arscott, Caroline. “William Powell Frith’s The Railway Station: Classification and the Crowd,” in Mark Bills and Vivien Knight, eds., William Powell Frith: Painting the Victorian Age. New Haven, CT: Yale University Press, 2006, pp. 79-94

Ashton, Dore. Rosa Bonheur: a Life and a Legend. New York: Viking, 1981

Athanassoglou-Kallmyer, Nina. “Cézanne and Delacroix’s Posthumous Reputation,” The Art Bulletin, vol. 87, no. 1 (March 2005): 111-29

Athanassoglou-Kallmyer, Nina. French Images from the Greek War of Independence 1821-1830: Art and Politics under the Restoration. New Haven, CT: Yale University Press, 1989

Athanassoglou-Kallmyer, Nina.Théodore Géricault. London: Phaidon, 2010 

Aubenas, Sylvie. Gustave Le Gray. London and New York: Phaidon, 2003

Baldwin, Gordon. All the Mighty World: the Photographs of Roger Fenton, 1852-1860. Exhibition catalogue. New Haven, CT: Yale University Press, 2004

Barbour, Daphne. “Degas’s Little Dancer: Not Just a Study in the Nude,” Art Journal, vol. 54, no. 2 (Summer 1995): 28-32

Barger, M.S. and W.B. White. The Daguerreotype: Nineteenth-Century Technology and Modern Science. Washington, DC: Smithsonian Institution Press, 1991

Barker, Emma.  Greuze and the Painting of Sentiment. Cambridge and New York: Cambridge University Press, 2005

Barlow, Paul. Time Present and Time Past: the Art of John Everett Millais. Aldershot and Burlington, VT: Ashgate, 2005

Barrell, John. The Dark Side of the Landscape: The Rural Poor in English Painting, 1730-1840. Cambridge: Cambridge University Press, 1980

Barrett, Brian Dudley. Artists on the Edge. The Rise of Coastal Artists' Colonies, 1880-1920. Amsterdam: Amsterdam University Press, 2011

Barringer, T. Men at Work: Art and Labour in Victorian Britain. New Haven, CT and London: Yale University Press, 2005

Barringer, Tim. The Pre-Raphaelites. London: Weidenfeld Nicolson, 1998

Barthélémy, Jobert. Delacroix. Princeton, NJ: Princeton University Press, 1998

Bashkirtseff, Marie. The Journal of Marie Baskirtseff, Mathilde Blind, trans. London: Virago, 1985. Introduction by Rozsika Parker and Griselda Pollock

Bastien-Lepage, Jules. Jules Bastien-Lepage, 1848-1884. Exhibition catalogue. Paris: Musée d’Orsay, 2007 (in French)

Bataille, Georges. Manet. Austryn Wainhouse and James Emmons, trans. New York: Skira,
1955

Batorska, Danuta. “The Political Censorship of Jan Matejko,” Art Journal, vol. 51, no. 1 (Spring 1992): 57-63

Baudelaire, Charles. The Painter of Modern Life and Other Essays, Jonathan Mayne, ed. and trans. London: Phaidon, 1964

Baudelaire, Charles.  Eugène Delacroix, His Life and Work. New York: Lear, 1947

Bazille, Frédéric. Frédéric Bazille and Early Impressionism. Exhibition catalogue. Chicago, IL: Art Institute of Chicago, 1978

Bellenger, Sylvain. ed., Girodet 1767-1824. Exhibition catalogue. Paris: Musée du Louvre, 2005

Bendiner, Kenneth. The Art of Ford Madox Brown. University Park, PA: Pennsylvania State University Press, 1998

Benge, Glenn F. Antoine-Louis Barye, Sculptor of Romantic Realism University Park, PA: Pennsylvania State University Press, 1984

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, Harry Zohn, trans. London: NLB, 1973

Berg, K.A. “The Imperialist Lens: Du Camp, Salzmann and Early French Photography,” Early Popular Visual Culture, vol. 6 no. 1 (2008): 1-18

Bergman-Carton, Janis. “The Gendering of Impressionism” in Norma Broude and Mary D. Garrard, eds. Reclaiming Female Agency: Feminist Art History after Postmodernism. Berkeley, CA: University of California Press, 2005, pp. 203-15

Berman, Patricia G.  In Another Light: Danish Painting in the Nineteenth Century. New York: Vendome Press, 2007

Berman, Patricia G. James Ensor: Christ’s Entry into Brussels in 1889. Los Angeles: J. Paul Getty Museum, 2002

Bermingham, Ann. Landscape and Ideology: the English Rustic Tradition 1740-1860. Berkeley, CA: University of California Press, 1986

Betzer, Sarah. Ingres and the Studio: Women, Painting, History. University Park, PA: Pennsylvania State University Press, 2012

Bhabha, Homi K. “The Other Question: Difference, Discrimination and the Discourse of Colonialism,” in Francis Barker, et. al., eds. Literature, Politics and Theory. London and New York: Methuen, 1986

Bhreathnach-Lynch, Sighle. Ireland’s art, Ireland’s History: Representing Ireland, 1845 to present. Omaha, NE: Creighton University Press, 2007

Bills, Mark. G.F. Watts: Victorian Visionary: Highlights from the Watts Gallery Collection. Exhibition catalogue. London and New Haven, CT: Yale University Press, 2008

Bills, Mark. William Powell Frith: Painting the Victorian Age. New Haven, CT and London: Yale University Press, 2006

Bindman, David. Hogarth and his Times. Berkeley, CA: University of California Press, 1997

Bindman, David. John Flaxman. London: Thames and Hudson, 1979

Bindman, David. Blake as an Artist. Oxford: Phaidon, 1977

Birkett, M. “Lamartine and the Poetic Painting of Léopold Robert,” Symposium, vol. 33, no. 4 (1979): 299-311

Bisanz, Rudolf M. “The Birth of a Myth: Tischbein’s Goethe in the Roman Campagna,” Monatshefte, vol. 80, no. 2 (Summer 1988): 187-99

Bisanz, Rudolf M. German Romanticism and Philipp Otto Runge: a Study in Nineteenth-Century Art Theory and Iconography. DeKalb, IL: Northern Illinois University Press, 1970

Bischoff, Ilse. “Etienne Maurice Falconet – Sculptor of the Statue of Peter the Great,” Russian Review, vol. 24, no. 4 (October 1965): 369-86

Bishop, Peter. An Archetypal Constable: National Identity and the Geography of Nostalgia. Madison, WI: Fairleigh Dickenson University Press, 1995

Bitker, Brigitte Ranson. Paul Ranson, 1861-1909: catalogue raisonné. Paris: Somogy, 1999 (in French)

Bizanz, Rudolf. “Proto-modernist Aesthetic and Art-Criticism Amended – Behaviorist Doctrinaire-Realism to Extentiallist Process – Art and Wilhelm Leibl: Three Women in Church,” Art Criticism, vol. 8 no. 1 (1993): 97-108

Black, Jeremy. The British Abroad: the Grand Tour in the Eighteenth Century. Stroud: The History Press, 2003

Blakesley, Rosalind P. Pride and the Politics of Nationality in Russia's Imperial Academy of Fine Arts, 1757-1807. Hoboken, NJ: Wiley, 2010

Blakesley, Rosalind P. Russian Genre Painting in the Nineteenth Century. Oxford: Clarendon Press, 2000

Böcklin, Arnold. Arnold Böcklin, 1827-1901. Paris: Réunion des musées nationaux, 2001 (in French)

Boegh, Mette. I Am Anna. Exhibition catalogue: Skagens Museum, 2009

Boetzkes, Manfred. Max Klinger: Wege zum Gesamtkunstwerk. Mainz: von Zabern, 1984 (in German)

Boime, Albert. “Maria Deraismes and Eva Gonzalès: A Feminist Critique of Une Loge aux
Théâtre des Italiens,” Woman’s Art Journal, vol. 15, no. 2 (Autumn 1994-Winter 1995): 31-7

Boime, Albert. The Art of the Macchia and the Risorgimento. Chicago, IL and London: University of Chicago Press, 1993

Boime, Albert. Art in an Age of Civil Struggle, 1848-1871. Chicago, IL: University of Chicago Press, 2007

Boime, Albert. Art in the Age of Revolution, 1750-1800. Chicago and London: University  of Chicago Press, 1987

Boime, Albert. Art in the Age of Bonapartism, 1800-1815. Chicago, IL: University of Chicago Press, 1990

Boime, Albert. “Gauguin’s D’où venons-nous? Que sommes-nous? Où allons-nous? Millenarianism and Necromancy in Fin-de-Siècle France, “ Revelation of Modernism. Responses to Cultural Crises in Fin-de-Siècle Painting. Columbia, MO and London: University of Missouri Press, 2008, pp. 135-220

Boime, Albert. “Van Gogh’s Starry Night: A History of Matter and a Matter of History,” Arts, vol. 59 (December 1984): 86-103

Boime, Albert. Thomas Couture and the Eclectic Vision. New Haven, CT and London: Yale University Press, 1980

Boime, Albert. “Thomas Couture and the Evolution of Painting in Nineteenth-Century France,” The Art Bulletin, vol. 51, no. 1 (March 1969): 48-56

Boime, Albert. “The Case of Rosa Bonheur – Why Should a Woman Want to be More Like a Man?,” Art History, vol. 4, no. 4 (1981): 384-409

Boime, Albert. The Academy and French Painting in the Nineteenth Century. London: Phaidon, 1971

Boime, Albert. The Art of Exclusion. Representing Blacks in the Nineteenth Century. Washington, DC: Smithsonian Institution Press, 1990

Boime, Albert. “Turner’s Slave Ship: The Victims of Empire,” Turner Studies, vol. 10 (Summer 1990): 34-43

Boime, Albert. Art in an Age of Counterrevolution, 1815-1848. Chicago, IL: University of Chicago Press, 2004

Boime, Albert. “Ford Madox Brown, Thomas Carlyle, and Karl Marx: Meaning and the Mystification of Work in the Nineteenth Century,” Arts Magazine (September 1979): 116-25

Boime, Albert. “Alfred Rethel’s Counterrevolutionary Death Dance,” Art Bulletin, vol. 73, no. 4 (December 1991): 577-98

Boime, Albert. "Van Gogh's Starry Night. After the Apocalypse a Heavenly Utopia," in Revelation of Modernism. Responses to Cultural Crises in Fin-de-siecle Painting. Columbia, MO: University of Missouri Press, 2008

 

Boime, Albert. "Van Gogh's Starry Night. After the Apocalypse a Heavenly Utopia," in Revelation of Modernism. Responses to Cultural Crises in Fin-de-siecle Painting. Columbia, MO: University of Missouri Press, 2008

Borne, Dominique. Olympia d’Edouard Manet. Paris: A. Colin, 2008 (in French)

Boudin, Eugène. Boudin: Impressionist Marine Paintings. Salem, MA : Peabody Museum, 1991

Bouret, Jean. L’Ecole de Barbizon et le paysage français au XIXe siècle. Paris : Bibliothèque des arts, 1973 (in French)

Bowron, Edgar Peters. Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome. New Haven, CT: Yale University Press, 2007

Bowron, Edgar Peters and Joseph J. Rishel, eds. Art in Rome in the Eighteenth Century. Exhibition catalogue. Philadelphia Museum of Art, 2000

Boyle-Turner, Caroline. Paul Sérusier. Ann Arbor, MI: UMI Research Press, 1983

Boyle-Turner, Caroline.“Serusier’s Talisman,” Gazette des Beaux-Arts, vol. 127, no. 1396-97 (May-June 1985): 191-6

Bretell, Richard R. Impressionism: Painting Quickly in France, 1860-1890. Exhibition catalogue. New Haven, CT: Yale University Press, 2000

Brettell, Richard R. The Art of Paul Gauguin. Exhibition catalogue. Washington DC: National Gallery of Art, 1988

Britsch, F. “Destruction and Creativity – Eugène Delacroix’s Massaker von Chios,” Pantheon, vol. 55 (1997): 136-50 (In German)

Bronkhurst, Judith. William Holman Hunt: a Catalogue Raisonné. New Haven, CT and London: Yale University Press, 2006

Broude, Norma. “Degas’s Misogyny,” The Art Bulletin, vol. 59, no. 1 (March 1977): 95-107

Broude, Norma. The Macchiaioli: Italian Painters of the Nineteenth Century. New Haven, CT and London: Yale University Press, 1987

Broude, Norma. Impressionism: A Feminist Reading: the Gendering of Art, Science, and Nature in the Nineteenth Century. New York: Rizzoli, 1991

Broude, Norma. Seurat in Perspective. Englewood Cliffs, NJ: Prentice Hall , 1978

Brown, Roy Howard. “The Formation of Delacroix’s Hero between 1822 and 1831,” The Art Bulletin, vol. 66, no. 2 (June 1984): 237-54

Brown, Ford Madox. The Diary of Ford Madox Brown. New Haven, CT: Yale University Press, 1981

Bryant, J.  ed. Thomas Banks:  Britain’s First Modern Sculptor. Exhibition catalogue, Soane Museum, London, 2004

Bryson, Norman. Word and Image: French Painting of the Ancien Régime. Cambridge, MA: Harvard University Press, 1981

Bryson, Norman. Tradition and Desire: From David to Delacroix. Cambridge and New York: Cambridge University Press, 1984

Buch, Asta von. “’What a hideos sight! But what a beautiful scene’! The aesthetics of the illustrious in Gericault’s Floss der Medusa,” Zeitschrift für Kunstgeschichte, vol. 69, no. 3 (2006): 342-57

Budapest, 1869-1914: modernité hongroise et peinture européenne. Exhibition catalogue. Paris: A Biro, 1995

Buettner, Stewart. “Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz,” Woman’s Art Journal, vol. 7, no. 2 (Autumn 1986 – Winter 1987): 14-21

Buick, Kirsten P. Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject. Durham, NC: Duke University Press, 2010

Buick, Kirsten P. “The Ideal Works of Edmonia Lewis: Invoking and Inverting Autobiography,” American Art, vol. 9, no. 2 (Summer 1995): 4-19

Bukdahl, Else Marie. The Roots of Neoclassicism: Wiedewelt,Thorvaldsen and Danish Sculpture of Our Time. Copenhagen: Royal Danish Academy of Fine Arts, 2004

Burke, Edmund. A Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful (1757), Adam Philips, ed. Oxford and New York: Oxford University Press,1990

Burns, Sarah. "A Symbolist Soulscape:  Fernand Khnopff's I Lock My Door upon Myself," Arts Magazine, vol. 55 (January 1981): 80-9

Butler, Ruth. Rodin in Perspective. Englewood Cliffs, NJ: Prentice Hall, 1980

Butler, Ruth. Rodin: the Shape of Genius. New Haven, CT: Yale University Press, 1993

Cachin, Françoise. Manet: the Influence of the Modern. New York: H.N. Abrams, 1995

Callen, Anthea. The Spectacular Body: Science, Meaning, and Method in the Work of Degas. New Haven, CT: Yale University Press, 1995

Callen, Anthea. The Art of Impressionism: Painting Technique and the Making of Modernity. New Haven, CT: Yale University Press, 2000

Callen, Anthea. “The Unvarnished Truth: Mattness, ‘Primitivism’ and Modernity in French Painting, c. 1870-1907,” The Burlington Magazine, vol. 136, no. 1100 (November 1994): 738-46

Callen, Anthea. Courbet. London: Jupiter Books, 1990

Carbone, Teresa A. Eastman Johnson: Painting America. Exhibition catalogue. New York: The Brooklyn Museum, 1999

Carrott, Richard G. The Egyptian Revival: Its Sources, Monuments, and Meaning, 1808-1858. Berkeley, CA: University of California Press, 1978

Cassatt, Mary. Mary Cassatt, Modern Woman. Exhibition catalogue. New York: H.N. Abrams, 1998

Cassidy, Brendan. Gavin Hamilton (1723-1798): Artist, Antiquarian and Art Dealer in Eighteenth-Century Rome. Turnhout: Brepols, 2010

Castandet, C. “A French Masterpiece: Dante and Virgil in Hell : Delacroix’s First Painting Exhibited at the Paris Salon of 1822,” Conaissance des Arts, vol. 616 (May 2004): 104-7

Catlin, George. George Catlin and his Indian Gallery. Exhibition catalogue. New York: W.W. Norton, 2002

Cézanne, Paul. Letters, John Rewald, ed. New York: Hacker Art Books, 1984

Cézanne, Paul. Cézanne. Exhibition catalogue. New York: H.N. Abrams, 1996

Chan, V. “Natural Genius, Inspired Madness, and Romantic Protest – Franz Xaver Messerschmidt’s Many Grimacing Faces,“ Arts Magazine, vol. 61, no. 2 (October 1986): 84-93

Chardin, Jean-Baptiste. Soap Bubbles. Los Angeles County Museum of Art, 1990

Chassé, Charles. The Nabis and Their Period, Michael Bullock, trans. London: Lund Humphries, 1969

Chassériau, Théodore. 1819-1856: the Unknown Romantic. Exhibition catalogue. New Haven, CT: Yale University Press, 2002

Cherry, Deborah. Painting Women: Victorian Women Artists. London: Routledge, 1993

Chu, Petra ten-Doesschate, ed. Courbet in Perspective. Englewood Cliffs, NJ: Prentice Hall, 1977

Chu, Petra ten-Doesschate. The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media Culture. Princeton, NJ: Princeton University Press, 2007

Ciofalo, John J. “Goya’s Enlightenment Protagonist: A Quixotic Dreamer of Reason,” Eighteenth-Century Studies, vol. 30, no. 4 (Summer 1997): 421-36

Clark, T.J. “Olympia’s Choice,” The Painting of Modern Life. Paris in the Art of Manet and His Followers. New York: Alfred A. Knopf, 1985, pp. 79-146

Clark, Anthony M. Pompeo Batoni: a Complete Catalogue of his Works with an Introductory Text. New York: New York University Press, 1985

Clark, T.J. “Painting in the Year 2,” Farewell to an Idea. Episodes from a History of Modernism. New Haven and London: Yale University Press, 1999, 15-53

Clark, T.J. Image of the People: Gustave Courbet and the Second French Republic 1848-51. Greenwich, CT: New York Graphic Society, 1973

Clark, T.J. The Absolute Bourgeois: Artists and Politics in France, 1848-1851.  Princeton, NJ: Princeton University Press, 1982

Clarke, Jay Anne. Becoming Edvard Munch: Influence, Anxiety, and Myth. Exhibition catalogue. New Haven, CT: Yale University Press, 2009

Clarke, Michael. Corot and the Art of Landscape. New York: Cross River Press, 1991

Clarke, Jay A. “Neo-Idealism, Expressionism, and the Writing of Art History,” Art Institute of Chicago Museum Studies, vol. 28, no. 1 (2002): 24-37

Clayson, Hollis. Painted Love: Prostitution in French Art of the Impressionist Era. New Haven, CT and London: Yale University Press, 1991

Clayson, S. Hollis. “The Family and the Father: The Grande Jatte and its Absences,” in Janis Tomlinson, ed., Readings in Nineteenth-Century Art. Upper Saddle River, NJ: Prentice Hall, 1996, pp. 212-29

Clegg, Elizabeth. "Faux terrain: Discontinuous Space in the Early Work of Work Jack Malczewski," Zeitschrift für Kunstgeschichte, vol. 53, n. 2 (1990), pp. 198-208

Close, S. "Gender, Space and Photography: Reading the Interiors of Clementina Hawarden," Design Principles and Practices, vol. 5, no. 1 (2011): 181-9

Colbert, Charles. “Spiritual Currents and Manifest Destiny in the Art of Hiram Powers,” The Art Bulletin, vol. 82, no. 3 (September 2000): 529-43

Cole, Thomas. Thomas Cole: Landscape into History. Exhibition catalogue. New Haven, CT: Yale University Press, 1994

Cole, Thomas. The Course of Empire, Voyage of Life, and Other Pictures of Thomas Cole, N.A., with Selections from His Letters and Miscellaneous Writings” Illustrative of his Life, Character, and Genius. New York: Cornish, Lamport, 1853

Conisbee, Philip. Chardin. Lewisburg, PA: Bucknell University Press,1985

Conisbee. Philip. French Genre Painting in the Eighteenth Century. Washington, DC: National Gallery of Art, 2007

Conisbee, Philip. Christoffer Wilhelm Eckersberg, 1783-1853. Exhibition catalogue. Washington, DC: National Gallery of Art, 2003

Connelly, Frances S. The Sleep of Reason: Primitivism in Modern European Art and Aesthetics, 1725-1907. University Park, PA: Pennsylvania State University Press, 1995

Constable, John. John Constable’s Correspondence, 7 vols., R.B. Beckett, ed. Ipswich: 1962-75

Cooke, Peter. “Gustave Moreau and the Reinvention of History Painting,” Art Bulletin, vol. 90, no. 3 (September 2008): 394-416

Cooper, Helen A. John Trumbull: the Hand and Spirit of a Painter. New Haven, CT: Yale University Press, 1982

Cordier, Charles. Charles Cordier 1827-1905. Exhibition catalogue. New York: Dahesh Museum of Art, 2004

Costello, Leo. "Turner's Slave-ship : Towards a Dialectical History Painting," Brycchan Carey, Markman Ellis and Sarah Salih, eds., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838. Basingstoke and New York: Palgrave McMillan, 2004, pp. 209-22.

Costello, Leo and J. M. W. Turner. J.M.W. Turner and the Subject of History. Farnham, UK: Ashgate, 2012

Courbet, Gustave. Letters of Gustave Courbet, Petra ten-Doesschate Chu, ed. Chicago, IL: University of Chicago Press, 1992

Crapo, Paul B. “The Problematics of Artistic Patronage under the Second Empire: Gustave Courbet’s Involved Relations with the Regime of Napoleon III,” Zeithschrift für Kunstgeschichte, vol. 58, no. 2 (1995): 240-61

Craske, Matthew. William Hogarth. Princeton, NJ: Princeton University Press, 2000

Craske, Matthew. Art in Europe, 1700-1830. New York: Oxford University Press, 1997

Crow, Thomas. Painters and Public Life in Eighteenth-Century Paris. New Haven: Yale University Press, 1985

Crow, Thomas. Emulation: David, Drouais, and Girodet in the Art of Revolutionary France. New Haven, CT: Yale University Press, 1995

Curtis, Gerald. “Ford Madox Brown’s Work: An Iconographical Analysis,” The Art Bulletin, vol. 74, no. 4 (December 1992): 623-36

Curtiss, Mina. “Manet Caricatures: Olympia,” The Massachusetts Review, vol. 7, no. 4 (Autumn 1966): 725-52

Daulte, François. Frédéric Bazille et les debuts de l’impressionnisme: catalogue raisonné
de l’oeuvre peint. Paris : Bibliothèque des arts, 1992 (in French)

Davis, John. “Eastman Johnson’s Negro Life at the South and Urban Slavery in Washington, DC,” The Art Bulletin, vol. 80, no. 1 (March 1998): 67-92

Dawson, J. Holkam Hall: A Stranger’s Guide, 1817

De Caso, Jacques. David d’Angers: Sculptural Communication in the Age of Romanticism. Princeton, NJ: Princeton University Press, 1992

Delacroix, Eugène. The Journal of Eugène Delacroix. Hubert Wellington, ed. Ithaca, NY: Cornell University Press, 1980

Delacroix, Eugène. Selected Letters, 1813-1863. Boston, MA : MFA Publications, 2001

DeLue, Rachael Ziady. “Pissarro, Landscape, Vision, and Tradition,” The Art Bulletin, vol. 80, no. 4 (December 1998): 718-36

Denis, Maurice. Maurice Denis, 1870-1943. Exhibition catalogue. Ghent: Snoeck-Ducaju and Zoon, 1994

Desbuissons, Frederique. “Courbet’s Materialism,” Oxford Art Journal, vol. 31, no. 2 (2008): 253-60

Deshmukh, Marion F. Max Liebermann. Modern Art and Modern Germany. Farnham-Burlington: Ashgate, 2015

DeVonyar, Jill and Richard Kendall. “The Class of 1881: Degas, Drawing, and the Little Dancer Aged Fourteen,” Master Drawings, vol. 41, no. 2 (Summer 2003): 151-62

Diderot, Denis. Diderot on Art. New Haven: Yale University Press, 1995

Distel, Anne. Gustave Caillebotte, Urban Impressionist. Exhibition catalogue. New York: Abbeville Press, 1995

Djebar, A. Women of Algiers in Their Apartment. Charlottesville, NC: University of North Carolina Press, 1992

Dombrowski, André. “History, Memory, and Instantaneity in Edgar Degas’s Place de la Concorde,”  The Art Bulletin (June 2011), pp.195-219.

Dorbani-Bouabdellah, Malika. Eugène Delacroix: Femmes d’Alger dans leur appartement. Paris: Musée du Lourvre editions, 2008 (In French)

Doré, Gustave. Fantasy and Faith: the Art of Gustave Doré. Exhibition catalogue. New Haven, CT: Yale University Press, 2007

Dorra, Henri. Symbolist Art Theories: A Critical Anthology. Berkeley, CA: University of California Press, 1994

Dorra, Henri. The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity. Berkeley, CA: University of California Press, 2007

Doyle, Jennifer. “Sex, Scandal, and Thomas Eakins’s The Gross Clinic,” Representations, no. 68 (Autumn 1999): 1-33

Dreams of a Summer Night. Exhibition catalogue. London: Arts Council of Great Britain, 1986

Druick, Douglas W. Renoir. Exhibition catalogue. Art Institute of Chicago, 1997

Dulau, Anne. Boucher & Chardin: Masters of Modern Manners. Exhibition catalogue. Glasgow: Hunterian, 2008

Dunne, Tom. James Barry, 1741-1806: History Painter. Farnham and Burlington, VT: Ashgate, 2010

Duret, Théodore. Courbet. Paris: Bernheim-Jeune, 1918 (in French)

Duro, Paul. 'Great and Noble Ideas of the Moral Kind': Wright of Derby and the Scientific Sublime (Wiley, 2010)

 

Duro, Paul. 'Great and Noble Ideas of the Moral Kind': Wright of Derby and the Scientific Sublime (Wiley, 2010)

Edgerton, Judy. Wright of Derby. Exhibition catalogue. London: Tate, 1990

Edgerton, Judy. George Stubbs, Painter: Catalogue Raisonné. New Haven, CT and London: Yale University Press, 2007

Edgerton, Samuel Y. Jr. “The Murder of Jane McCrea : The Tragedy of an American ‘Tableau d’Histoire,’” The Art Bulletin, vol. 47 (December 1965): 481-9

Eisenman, Stephen F. Paul Gauguin: Artist of Myth and Dream. New York: Skira, 2008

Eisenman, Stephen F. Gauguin’s Skirt. New York: Thames and Hudson, 1997

Eitner, Lorenz. Neoclassicism and Romanticism 1750-1850, vol. 1: Enlightenment and Revolution. Englewood Cliffs: Prentice Hall, 1970

Eitner, Lorenz.  Géricault: His Life and Work. Ithaca, NY: Cornell University Press, 1983

Eitner, Lorenz.  Géricault’s “Raft of the Medusa”. London: Phaidon, 1973

Eitner, Lorenz.  “Géricault's Wounded Cuirassier,” The Burlington Magazine, vol. 96, no. 617 (August 1954): 236-41

Elsen, Albert. The Gates of Hell by Auguste Rodin. Stanford, CA: Stanford University Press, 1985

Elsen, Albert. Rodin’s Gates of Hell. Minneapolis, MN: University of Minnesota Press, 1960

Elsen, Albert. Rodin’s Thinker and the Dilemmas of Modern Public Sculpture. New Haven, CT: Yale University Press, 1985

Emerson, Peter Henry. Naturalistic Photography for Students of the Art (1889). New York: Arno Press, 1974

Erffa, Helmut von and Allen Staley. The Paintings of Benjamin West. New Haven, CT: Yale University Press, 1986

Estignard, Alexander. Clésinger: Sa Vie, Ses Œuvres (1900). Whitefish, MT : Kessinger, 2010 (in French)

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