bourgeois
with Geoffroy-Alphonse Chocarne; with Joseph-Benoît Guichard (1858); with Achille-Francois Oudinot (student of Corot)
1864 –begins exhibiting regularly at Paris Salon
1868-69 – meets Edouard Manet
1874 – exhibits in and helps organize the First Impressionist exhibitions; stops exhibiting at the Salon; marries Eugéne Manet
1876 – participates in Second Impressionist exhibition (also Third-1877, Fifth-1880, Sixth-1881, Seventh-1882, and Eighth/last-1886)
Mother and Sister of the Artist (Reading), 1869-70 (National Gallery of Art, Washington, DC)
The Cradle, 1872 (Musée d’Orsay, Paris)
Paul Durand-Ruel
Adler, Kathleen and Tamar Garb. Berthe Morisot. Ithaca, NY and Oxford: Oxford University Press, 1987
Buettner, Stewart. “Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz,” Woman’s Art Journal, vol. 7, no. 2 (Autumn 1986 – Winter 1987): 14-21
Garb, Tamar. “Berthe Morisot and the Feminizing of Impressionism,” in Janis Tomlinson, ed., Readings in Nineteenth-Century Art. Upper Saddle River, NJ: Prentice Hall, 1996, pp. 230-45
Higgonet, Anne. Berthe Morisot’s Images of Women. Cambridge, MA and London: Harvard University Press, 1992
Stuckey, Charles F. Berthe Morisot, Impressionist. Exhibition catalogue. New York: Hudson Hills Press, 1987